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Geoff Johns
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Doomsday Clock (2017-) #10 Kindle & comiXology

by Geoff Johns (Author), Gary Frank (Cover Art, Penciller, Inker), Brad Anderson (Cover Art, Colorist) Format: Kindle Edition
4.6 out of 5 stars 94
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This stunning issue of the critically acclaimed hit maxiseries reveals the secrets behind Dr. Manhattan and his connection to the DC Universe.
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  1. Part of Series
    Doomsday Clock (2017-)
  2. Print length
    38 pages
  3. Language
    English
  4. Sticky notes
    Not Enabled
  5. Publisher
    DC
  6. Publication date
    May 29, 2019
  7. File size
    117285 KB
  8. Page Flip
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  9. Word Wise
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  10. Enhanced typesetting
    Not Enabled
  11. See all details
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Product details

  • ASIN ‏ : ‎ B07MTRSX9W
  • Publisher ‏ : ‎ DC (May 29, 2019)
  • Publication date ‏ : ‎ May 29, 2019
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 117285 KB
  • Text-to-Speech ‏ : ‎ Not enabled
  • Enhanced typesetting ‏ : ‎ Not Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Not Enabled
  • Sticky notes ‏ : ‎ Not Enabled
  • Print length ‏ : ‎ 38 pages
  • Customer Reviews:
    4.6 out of 5 stars 94

About the author

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Geoff Johns

Geoff Johns

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Geoff Johns is an award-winning and New York Times bestselling writer, film and television producer, showrunner, and entrepreneur known for re-imagining superheroes and other iconic mythologies, past and present. Johns is best known for his work on properties such as Green Lantern, Aquaman, The Flash, Superman, Batman, Justice Society of America, and most recently, the creator-owned hit series Geiger, currently being adapted for television at Paramount.

Since the beginning of his creative career, Johns' hallmark has been writing heroic and inclusive characters, including teenage hero Courtney Whitmore aka Stargirl, inspired by his real-life late sister; the Shazam Family, which he re-imagined into a diverse modern family of today; and the first Arab-American Green Lantern, Simon Baz, as well as the explosive multi-colored Lantern mythology that defined his decade-long bestselling Green Lantern run, among many, many others.

Johns’ most recognized work in television is the critically acclaimed Stargirl series which he created and ran. Some of his film credits include Wonder Woman (executive producer), Wonder Woman 1984 (also co-writer), Aquaman (also story) and Shazam! (executive producer), based on his graphic novel with longtime collaborator and modern legendary artist Gary Frank.

In 2023, Johns co-founded Ghost Machine, the first-of-its-kind creator-owned company. This groundbreaking collective includes some of the industry’s most legendary writers and artists, disrupting the old industry model by giving ownership to its creators, and paving the way for them to retain creative control and financial participation.

Born in Detroit to a Lebanese father, Johns was honored with his own permanent section at the Arab American National Museum in Dearborn, Michigan.

Customer reviews

4.6 out of 5 stars
4.6 out of 5
94 global ratings

Top reviews from the United States

Phodie56
5.0 out of 5 stars Finally, it becomes clear!
Reviewed in the United States on June 8, 2019
Verified Purchase
This series has been a weird beast. Largely in part for two reasons:
1) everything is in Dr. Manhattan's perspective, so time jumps a LOT

2) the release of the story has been so slow that it felt like momentum was lost in its telling

This issue not only explains a massive part of the story and how everything was relevant up to this point, but it also neatly sets up the remainder of this story!

I love how this issue also addressed the DC comics universe history and various timelines. I am very excited to see the next issue; this one definitely was dripping with noir style, total class, amazing history balance, and a respect for the whole of Alan Moore's original Watchmen series!
3 people found this helpful
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Splinter76
5.0 out of 5 stars Now we're talking...
Reviewed in the United States on June 25, 2019
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I see mixed reviews on this issue, but this issue is exactly what I needed. It's starting to move things. The last few issues felt really slow and ALMOST pointless to me. This one, however... to me, is really clever. I like how they're tying it to all of the "reboots" of Superman and the DC universe that has happened over my lifetime (and even before my lifetime back in the 50s). Seeing things I recognize from my childhood (including Nathaniel Dusk, of all things) and seeing how they weave them into this story was really satisfying. It's re-engaged me... here at the end... and I am REALLY looking forward to the next issue.
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Awesome
4.0 out of 5 stars Gotta make the money
Reviewed in the United States on May 31, 2019
Verified Purchase
Now that the ground work has been laid, and we've entered the third act, it has been good but seems to have been slowing down. An entire issue dedicated to Dr. Manhattan proclaiming what we have known all along; he's the antagonist.
One person found this helpful
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W_isforWumbo
5.0 out of 5 stars Wow
Reviewed in the United States on August 12, 2019
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Just . . . Just read it
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David Swan
5.0 out of 5 stars Thought Provoking Issue
Reviewed in the United States on June 3, 2019
I’ve been really hard on DC lately but now that the horrendous Heroes in Crisis has ended and I’ve quit buying the dumpster fire that is Action Comics I’m hoping for better times ahead. It’s hard to believe that Doomsday Clock has been going on now since late 2017 but that’s what happens when you’re only releasing a comic every other month in a 12-issue series. Geoff Johns is one of my favorite DC writers but the quality of his work seems to improve dramatically when he’s given the time he needs to properly craft a story. It’s clear that Johns and Gary Frank brought their A-game to this project and for me, it’s the best thing going at DC Comics.

Doomsday Clock definitely moves at its own pace and that’s one of the complaints I’ve heard. It seemed like with issue #9 that the series was finally crystalizing on a plot but now issue #10 veers off into a whole other direction. We find out that Dr Manhatten was drawn to Earth-0 (the main DC Earth) after the events of Watchmen. He arrives on April 18th, 1938 and becomes involved with a down on his luck actor named Carver Colman and then the story starts to move forwards and backwards in time as Dr Manhatten narrates from outside time. On the day Manhatten meets Colman, Superman makes his first appearance. April 18th, 1938 is the legitimate date when Action Comics #1 was published.

A reader could understandably be confused as to why the story spent so much time on Carver Colman but the execution is so well done that I never felt like it dragged. Johns takes his own story outside of space and time as the origin of Superman begins to change to match the retconning that has gone on over the years so that you don’t have a 100 year old Superman. The changes are being made by forces beyond even Dr Manhatten and I can only assume that Johns has taken the ultimate metaphysical move and made Manhatten aware of DC’s own publisher mandates. Manhatten then begins to take his own hand in altering reality until he is discovered and reality kicks back.

When Grant Morrison wrote Multiversity he explored this idea of breaking the fourth wall including the self-aware Ultra comic. I feel like Johns might have been inspired by some of the ideas in Multiversity including Pax Americana which used Charlton Comic characters in place of Watchmen characters as Alan Moore had originally intended. I would never say that Doomsday Clock is better than Watchmen or even as good but I do think it is a worthy integration of the characters into the DCU. If Doomsday Clock has a flaw it’s an unfocussed plot and it’s interesting that so much emphasis was put on Marionette, Mime and Rorschach II and then they all just disappeared from the story. I’m also not thrilled with how Ozymandias has been used and maybe Johns can repair things in the last two issues.

Doomsday Clock #10 has an aggregate score of 9.1 on Comic Book Roundup from 24 profession reviewers and a 9.8 from 57 user reviews. As is almost always the case, I agree with the amateur reviewers. Issue #9 shipped 120k copies for 3rd for the month. There has been a slight but steady decline in sales but that’s common. Geoff Johns has crafted some incredible pieces to the story and although it’s debatable whether the pieces are fitting together properly, I do think this is a very compelling story.
3 people found this helpful
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michael gonzalez
5.0 out of 5 stars Comanche Uprising/Navajo Joe posters
Reviewed in the United States on September 13, 2019
You heard it here first. The cover of no. 10 is a knockoff of Once Upon A Time in . . . Hollywood’s fictitious movie poster for Comanche Uprising starring Rick Dalton which is in turn a knockoff of real movie poster for Navajo Joe starring Burt Reynolds. 🙂
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Level3GrassWitch
3.0 out of 5 stars Ten of Twelve
Reviewed in the United States on June 6, 2019
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Here we come at the set up for the last two installments of Doomsday Clock. It is good but a bit choppy overall doesn’t hinder anything. I just hope closure and satisfaction can be attained in the next two publications.
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slick
3.0 out of 5 stars Too slow
Reviewed in the United States on May 30, 2019
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As usual a mini series shows promise and starts to fizzle near the end.I hope the next installment brings it back on track.
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Top reviews from other countries

Andyf
2.0 out of 5 stars Just wrong.
Reviewed in the United Kingdom on February 4, 2020
Verified Purchase
Cheapens the original. Clumsy attempt to shoehorn one universe into another.
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